- 1 How do you EQ a rock band?
- 2 How do you mix a live rock band?
- 3 How do you mix a master and rock?
- 4 How long does it take to mix a rock song?
- 5 How loud should drums be in rock mix?
- 6 How do I get the best live sound?
- 7 How do you mix up sound?
- 8 How do I make my mix sounds clearer?
- 9 How do I make my guitar sit in the mix?
- 10 Why is my master so quiet?
- 11 Is mixing and mastering hard?
How do you EQ a rock band?
Start by using a high-pass filter to remove any unwanted low-end. You may also need to cut around 200 Hz to remove muddiness and room noise. For darker, slower hard rock tracks, make sure there’s plenty of low-mid range between 300 Hz – 1 kHz. For a more aggressive, in-your-face sound, try booting around 1 – 5 kHz.
How do you mix a live rock band?
Audio mixing tips and tricks
- Consider building your mix off of a template.
- Use compression for producing a well-rounded sound.
- Hear what your live microphones hear.
- Know what you COULD be boosting.
- Pull your male singers out of the mud.
- Use reverb for vocal separation.
- The kick drum and bass can work together on your low end sound.
How do you mix a master and rock?
Here’s a summary of the steps you’ll need to take when you master your mix:
- Optimize your listening space.
- Finish your mix (to sound mastered).
- Check the levels.
- Bounce down your stereo track.
- Take a break (of at least a day).
- Create a new project and import your references.
- Listen for the first time (and take notes).
How long does it take to mix a rock song?
1). If you are recording to a 2-track (a song instrumental), the average time to mix could be from 15 minutes to an hour per song depending on the amount of vocal tracks are used. 2). If you are a live band this could take up to 4 hours per song plus a day or two to “refresh” from the song and make tweaks to the mix.
How loud should drums be in rock mix?
It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum. Then, start bringing in the toms. These can be almost as loud as the snare if they’re used sparingly, but if they’re heavily featured they should sit a little further back in the mix.
How do I get the best live sound?
7 Live Sound Tips for a Better Mixing Experience
- Be Vary of Feedback. This goes without saying.
- Get the Drum Sound Right. Live drums coming over the P.A.
- Over Compressed Vocals. Some like to over-compress vocals in a live setting.
- Monitor Positioning.
- Loud amplifiers.
- Don’t Ride the Faders.
- Some Bands Mix Themselves.
How do you mix up sound?
How To Mix Vocals
- First, place the element (vocal) in the stereo field.
- Then, cut out unnecessary frequencies with an equalizer.
- Then, if applicable, enhance with a compressor.
- Then, if necessary, boost frequencies with an equalizer.
- Then, if necessary, send to reverb bus or other effect bus.
How do I make my mix sounds clearer?
10 Mixing tips and tricks to create a clear mix
- Bass your worse enemy.
- Use Reverb as delay.
- Side chain compress the import parts that need it.
- Parallel compress your drums.
- avoid the stereo imager in the mix use mid side routing instead.
- phase / delay to create space.
- notch filter to create space.
- Subtractive EQ every sound somewhere.
How do I make my guitar sit in the mix?
8 Tips to Mix Electric Guitar
- Don’t Solo Your Electric Guitars.
- Layer Different Guitars Together.
- Cut Low-End Using a High-Pass Filter.
- Use Subtractive and Additive EQ.
- Apply Compression Between EQs.
- Add a Slapback Delay.
- Use a Stereo Reverb for Mono Guitars and a Mono Reverb for Stereo Guitars.
- Use Saturation to Tame Harshness.
Why is my master so quiet?
If you find the right frequency your kick will somehow sound much more tight and powerful. The problem with bass-frequencies is that they eat up a lot of headroom but we’re not very sensitive to it. So if your mix has too much bass, your master will always either be more quiet in comparison, or it will clip.
Is mixing and mastering hard?
Home mastering is hard – but it IS possible. There’s no question that it’s difficult to master with the same monitoring (and in the same space) that you use for mixing, and it can be very difficult to get that impartial “distance” from your music to know exactly what it needs.